Oil on canvas. Title: Portrait of a young lady. Early 17th century. Unknown master, Italy.  Detail before and after restoration.

   

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Oil on canvas. Title: Portrait of a young lady. Early 17th century. Unknown master, Italy.  After restoration.

Applied conservation & restorations methods
Cleaning of the paint layer, lining, retouching of the damages.

All methods and materials applied are reversible.

 

 

Conservation & restoration

An oil painting, much like human beings, is subject to the ageing process. The cohesion between the paint layer and underlying priming tends to weaken with time, this causes in turn cracks which in turn also can result in paint loss. When this occurs, the painting is in need of both conservation and restoration. The oxidation of the varnish, or its yellowing, combined with surface particles and dust, change the visual balance of the painting, therefore motivating its removal and replacement.


Preventive measures, such as the monitoring and control of the humidity and temperature in the surrounding environment, can slow down the ageing process of a painting.

When asked about whether or not to contact a conservator; I say that when you begin to see noticeable change in the structure and surface of a painting, it is time to contact a professional. It can be a crack in the paint layer, paint loss, or that the painting has become darker. ”Chief conservator, Anna Catellani"


 

 

 

 

 

 

 

© Ateljé Catellani (all images, when nothing else is stated)


Retuschering av mekaniska skador på muralmålning

Mural painting, retouching of the damages on the paint layer.

Ateljé Catellani | Vegagatan 5 | Stockholm | Sweden | +46 8 34 20 62 | info@ateljecatellani.se